Twitter Updates

    follow me on Twitter

    Tuesday, February 17, 2009

    One of my major pet peeves is this awful sight we frequently see after at fast food restaurants. It's the mess we leave behind. Personally, I think it's shameful to walk away from your table with your mess left behind at a self-serve restaurant. It's right up there with not flushing after you take a crap.

    Let me introduce civic conscious through something I call "trash compacting." This is important so that the trash takes less space in the garbage bin.

    Start by laying out all paper or plastic food wrappers, napkins etc. Crushed trash takes up more space.

    Place trash that cannot be laid out flat (such as the empty bag of potato chips in the example below), in the middle of the laid out paper trash.

    While holding the inner trash (empty chips bag), fold the bottom of the paper inward. See example below.
    Now fold in the left and right sides of the paper. See example below.

    After you have folded the sides, start folding the "core" of the trash forward while making sure it's compact and as tightly-spaced as possible.

    If you do it right, you will find an opening at the end where you can neatly insert the flap. See example below.
    Take pleasure in tucking in the flap. See example below.

    And if the people at the other tables haven't beaten you up yet, you should have a neat little package. See example below.

    If you have an empty cup, you may insert your handy work into the cup before you throw it away in the trash.
    Please take care of your own trash since we are not animals.

    Thursday, February 12, 2009

    It's easy and fun to assume that Nikki's "Hawa" is a "labour of love." Yes it is a labour of love. So was Faizal Tahir's "Aku. Muzik. Kamu." In fact, most of the music I do, is usually a labour of love. Otherwise, what's the point? (oh yea...the money!)

    While not the most romantic reason, "Hawa" is special to me because I have two personal selfish reasons for doing this album. One, it is for me to re-establish myself as a producer of pop music. For some reason, people think I am a rock music producer. And two, to show that this is Malaysian pop. It's not Indonesian! It's Malaysian. (You will have to trust me when I say that I am waving the Malaysian flag as I type this.)

    It's a rare opportunity when you get the right capable singer and a recording label that either trusts you too much or they don't really care enough to question beyond that one song they think it's going to be the single.

    But in this case and most when it comes to dealing with Vernon Kedit and Artistes United Records, he gives me a lot of rope which I sometimes hang myself with or I do something really cool. And I personally, this time, I did cool.

    With "Hawa", we explored different genres of music and styles. Musically, I went hog wild but the thing that holds it together is Nikki's vocals. It's all her style. Whether it's rock or tango or classical, we kept her style instead of having her growl in a rock-ish track or give in an accent and a twang on a country-ish track.

    Despite the various styles of music, "Hawa" is still a pop album with rock, country, and classical music influences.

    Another interesting point: No cymbals. Why?

    This is the Malay version of "Pretty Like Me" which is almost an afterthought. I didn't want to do a Malay version because the arrangement for the English version does not work well in Malay. But I like this version more because of the horn section and bass. Embrace the funk.

    Faizal Tahir and I wrote this one shortly after we finished his album for fun. We didn't have Nikki in mind when we wrote it. But hot damn sweet child o mine...I love this song. I wanted this to be the single after "Relakan" but the jury thought otherwise.

    Pam Yuen wrote this. I heard the demo and it just clicked. While most make references to Rihanna's "Unfaithful", I was excited because it sounded like a theme song to a James Bond movie. And it's something that I've wanted to do. You can hear me showing off the French horns at the chorus for that James Bond flavour. Also interesting is that this song has no bass.

    Nurfatima demo-ed this song in Malay with a R&B arrangement. It sounded kinda old in Malay but I liked the melody. So we did it in English because you don't really hear a lot of English songs with "old Malay" melodies. And that country slide guitar thing? That's just me and Jamie Wilson being bored.

    I love this song. This is a deceptively simple song. It's a challenge for me given my gift of overdoing things. I am excited with this song because of the "Purple Rain" references, which no one else seems to care about.

    This is another song that was in storage forever. Wrote this in 2004. It was an urban thing but it was Nikki's idea to go old school with it. And I was keen because I just bought this analog-type synth.

    It was tough to keep this song sounding new because it would have so easy to rely on wah-wah guitar and congas to give it that sound. But I was inspired by the theme song of "Three's Company" to arrange the horns as it is and make it a song within a song. Some say it's too busy but it works for me.

    This is not likely to be a radio song but it is really to show what Nikki can do. The brilliant lyrics by Ad Samad made it my personal favourite. This song turned out way better than I expected.

    OH! MY
    I wanted to do a tango track in 2006 because I stumbled on this cool accordian sound. I started "Oh! My" but I never finished it because I wondered who was going to sing it. So in 2008, Vernon and Jovian show me this video of Vitas doing this song where he just wails in the chorus. And I thought, what a cool idea. And then, "Oh! My" was born and dogs every where now live in fear.

    I modernised this Italian opera for Jovian Mandagie for his fashion shows and Nikki did the vocals in Italian. I thought it would be interesting to do it in Malay for the CD. Nikki did the operatic vocal section in one pass. We did three or four takes and I chose the best phrases. There's no pitch tuning at all.

    I've always had this thing for classical music. And I love using it in pop music. Why? Because I do not need to get rights from dead composers. Muahahaha. For "Cinta", I use Bach and it was a huge mistake to think it would make my job easier. The problem was I couldn't use the entire Bach piece because it didn't really have a pop song format. It just didn't have the lift you'd need for a chorus. So I had to write a chorus. Can you imagine how tremendously difficult it is to follow Bach.

    The verse based on Bach's music is timelessly beautiful. My chorus had to live up to that! Right. I had six or seven versions of my pop chorus before I got it right. Hands down, the most difficult chorus to right. In fact, I'd say that this is the most time I've spent on a song!

    There is a story to these two songs. It's about love in contrast. "Betara Sukma" is about the negative view on love. Lyrics by Ad Samad in classical Malay. Didn't understand half the words he used but I thought it was brilliant.

    And "Cinta" is about the positive. By Azalea. It's based on verses from one of my favourite letters on love, Corinthians 1. Only Azalea has the genius to come up with this. And Jamie Wilson on the acoustic guitar recorded with three microphones.

    There are some songs that do not get recorded for years for whatever reason. Usually it is because it sounds to risky. "Pretty Like Me" is one of those songs. I wrote this track back in 2005 based on Survivor's "Eye of the Tiger". No label wanted the song. Oh well.

    Nikki came up with the concept of a battle song and wrote the English lyrics. For once, English lyrics that are not cheesy.

    See? I can also do England songs.

    Kieren Kuek produced and wrote "Hawa" and "BelasMu". I have no idea what went through his mind when he worked on it. But I am glad to share the stage with him because we both share very similar production values. You can hear it! It sounds great. This is one seamless album.

    Buy the album! Buatan Malaysia.

    Tuesday, February 10, 2009

    Nikki has a new CD, "Hawa". Unfortunately, I've been getting a lot of calls and messages from friends and fans saying that they have trouble finding the CD in stores.

    Unfortunately, this is true and it's a challenge faced by the music industry when it comes to retailing.

    I am going to oversimplify the issue but still get the point across. You see, the recording label will only print a limited quantity of CDs because there are only so many copies that will be sold. There is an industry ratio for each product category. For instance, in the book retail business, an area which I am painfully familiar with, only 2 out of 10 books will be sold. In other words, on average, 20% of the books in stock at the bookstore will be sold. And the rest will be returned to the publisher.

    There is no return policy in the music retail business. It's either firm sales or on consignment where the record label will place the CDs in the store and the unsold copies will be returned to the label. With firm sales, unless it's a proven artist, most stores are reluctant to buy too many copies for fear that they will not be able to sell the CDs. (There are questionable practices that major labels use to "force sell" CDs and get CDs into the retail system but that's another story.)

    As a business, the trick here is to balance between making the CD available and not having a store room full of unsold CDs in six months.

    The other thing that is "killing" music retail is the lack of stores itself. Former retail chains such as Tower Records, Salem Power Station, and Music Valley are gone. There are more Starbucks and Coffee Bean outlets than there are music stores. Why? Because the concept of the music retailer today is outdated and it's inefficient. Add the piracy issue, the music retail store is not a viable business model anymore.

    This is why digital download is conceptually very suitable for music retail and distribution.

    The reason why I am explaining this is because Satu is co-releasing Nikki's CD with Artistes United Records, and we are responsible for the distribution. And we are faring no better or worse than when Nikki's first album was distributed by two other labels. Unless we print 10,000 copies of the CD and offer the CD on consignment, the issue of not being able to find the CD will always be there.

    So, let's try this. Get in touch with me if you want a copy of Nikki's "Hawa". You may also have the CD personally defaced by Nikki with her autograph. The CD is RM25.90 and an additional RM3 delivery charge to any address in Malaysia.

    That's RM28.90 for each CD delivered to your doorstep! Or if you prefer, you may save the RM3 and pick up the CD at our office in Jalan Utara, Petaling Jaya. (And no, you will not meet any famous people at our office.)

    Email me at buy(at) for payment and delivery details.

    Do it! Do it now. Free Willy!

    Sunday, February 01, 2009

    I am happy to report that I no longer have a gum situation. Everything is back to normal. Sigh.